Sunday, February 23, 2014

Performing: Handling Curve-Balls

    I don't know about you guys, but to me, the only thing that totally makes up for the hours of stressful rehearsals and frustrating classes is performing. I love being onstage. Sure it can be scary and nerve-wracking, but when I really start dancing, it feels like everything is moving in slow motion. I have all the time in the world. I can express any and all emotions. When I really get into it, there is nothing in the world that feels better.
Me, onstage performing Sugar Plum in our Nutcracker.

    That's not to say I don't need to work on my stage presence. Believe me, I do. But I definitely feel like I've improved it in the last 6 months, mostly because I've gotten much more comfortable with being onstage. Part of this is because I'm a member of my studio's ballet and jazz/contemporary companies and we perform all the time, and part of it is because I've gotten used to performing in...well...less than ideal circumstances.
     Just this past Friday, for example, we performed at a summer camp fair that was being held in a
gymnasium. Gym floors are slippery. It was incredibly hard to jump or turn without slipping or landing awkwardly to keep your feet underneath you. In addition, I was performing my Sugar Plum variation (for like the 800th time) to the uncut version of the track, meaning there were about 45 seconds of music in the middle where there was no set choreography. As this had happened twice before, I was prepared to improv and knew exactly what to do, so there was no visible pause in the movement. The first time it happened, I nearly jumped out of my skin, but this time I didn't let it throw me off. I have come to understand that while preparation is best, nothing ever really works exactly the way it's supposed to in showbiz, so you have to always stay on top of things.
The Val Jacobs dance bag, mother of all dance bags.

      As someone who is extremely Type A (especially when it comes to dance), my biggest coping mechanism is my dance bag. It's huge. My parents always make fun of me for carrying absolutely everything with me to dance, but that is how I make sure that I'm prepared for whatever is thrown at me. If anyone needs Advil or an extra pair of shoes, I've got it covered. Sprain an ankle? I've got a brace and some Icey-Hot. In addition to extra tights, toe pads, bobby pins, hairspray, tic-tacs, a brush, a roller, therabands, snacks, and toe-nail clippers. All of which have come in handy at some point.
Our adorable snowflakes, preparing to go onstage.

     My second method is to forget everything before I go onstage. Run over everything in the dressing-room, get it into my muscle memory, warm-up, shake it out, forget it all, and perform. I try to do this while onstage, too, not just in preparation. If I make a mistake, I catch up, forget about it, and move on. You can't let an error in one number ruin the rest of them. You can't let it affect the rest of your performance.
Performing Waltz of the Flowers for the American Girl Store.
So I plan on putting some new videos and stuff up soon, sorry it took so long to get this posted. Let me know in the comments how you guys prepare for performances and what you favorite things about performing are! I love to hear from you.

Sunday, February 2, 2014

Happy International Tutu Day! (+ video)

Happy International Tutu Day everyone! Hope you're celebrating somehow. I celebrated by spending my morning watching dance videos on You Tube. Although, come to think of it, I mostly just watched this one video over and over. Ballet Babble shared this video on Facebook about a month or so ago, and it quickly became one of my favorites. It's a pretty simple video featuring Polina Semionova and some great music, great technique, and great artistry. The main reason I love this video is probably because she looks like she's having so much fun. Hope you enjoy!
P.S. - More posts coming your way soon!